Tuesday, July 5, 2011

The Blade Runner Games


The Westwood Studios’ Blade Runner game crops up in articles, or on the web, from time to time. The game was advertised as "the first real time adventure game". The story featured "Blade Runner" Ray McCoy searching for Replicants in Los Angeles in the year 2019. It's either nostalgically recalled, or it is compared with recently developed games.
But this wasn't the first proposed Blade Runner game. There was the rare prototype board game back in 1982-83, released to test markets in San Francisco and Los Angeles. This was a licensed product bearing the Blade Runner Partnership trademark.
Then, in 1985, there was the CRL Group PLC released computer game for Commodore 64 and ZX Spectrum.
In 2008, however, there was yet another Blade Runner game under consideration. In a recent interview with Xbox Magazine, Gearbox CEO Randy Pitchford revealed that fellow Gearbox co-founder Brian Martell met with Alien and Blade Runner director Ridley Scott to discuss plans for the game.
The below text is from an article written by Matt Bradford at GamesRadar.

Being a Blade Runner fan is frustrating. Since its theatrical release in 1982, the cult sci-fi film has been used ad nauseum as a reference point to describe virtually any game that deals in dystopic futuristic subject matter, yet apart from Westwood Studios' point-and-click adventure game back in 1997, Deckard wannabes have not had an authentic Blade Runner title to speak of in ages. The kicker? Gearbox studios recently reminded The Official PlayStation Magazine it once owned the development rights for a Blade Runner IP, but ditched the opportunity out of fear the property wouldn't sell.

In his chat with OPM regarding Aliens: Colonial Marines, Gearbox CEO Randy Pitchford admitted the studio passed on the chance to collaborate with Ridley Scott on a Blade Runner video game, explaining, "That game would've cost like $40m to make and sold about 600,000 units - and that would have been the end of us...There's no rational business model that would have allowed that to make sense. If we'd made it with a business model that did work, it would not have been the Blade Runner game we all would have wanted."

This is the second time Pitchford has talked about Gearbox's flirtation with a Blade Runner game. In 2009, he told The Official Xbox Magazine it was a tempting proposition, but ultimately too much of a financial risk, noting, "You're going to spend 25 million, there's another 10-15 risk just in the publishing process, and then you got another 10-15 million marketing, and we didn't think that we could make that back. So that's too bad."

It is too bad – especially when games like Prey 2, Deus Ex: Human Revolution, and Mass Effect 3 prove the Blade Runner spirit is alive and well but just bagging skinjobs under a slew of different names.

In the December 2010 issue of Edge Magazine, there is an article titled “The Making of Blade Runner”. In it, it describes how this game changed the rules of graphics and gameplay in video game technology. The website Dead End Thrills features some of its art in an article titled "The Lost Art Of Blade Runner".



Have a better one!


~ Kipple


LINKS:
MORE Lost Art of Blade Runner


(Updated June 30, 2012)

Thursday, March 10, 2011

Blade Runner ~ The Musical





A new life awaits you ...


Alcon Entertainment had acquired film, television and ancillary franchise rights to produce prequels and sequels to the iconic 1982 science-fiction thriller Blade Runner. This, of course, has created quite a stir amongst fans of the film.

Alcon’s franchise rights would be all-inclusive, but exclude rights to remake the original. The Company, however, may produce projects based on situations introduced in the original film. The project would be distributed domestically by Warner Bros. International rights are yet to be determined.

Alcon Entertainment has stated: “We are honored and excited to be in business with Bud Yorkin. This is a major acquisition for our company, and a personal favorite film for both of us. We recognize the responsibility we have to do justice to the memory of the original with any prequel or sequel we produce. We have long-term goals for the franchise, and are exploring multi-platform concepts, not just limiting ourselves to one medium only.”

This offers a unique and limitless opportunity to explore the many possibilities for collaborations -- officially and legally -- between Alcon Entertainment and the many artists that have been inspired by this film.


The intersection of stage and film — the future of entertainment?


In an article written by Chris Conrad of the Mail Tribune, he writes how the film-to-stage experiment intrigues him. He mentioned a few movies that critics already consider "stagey", and then threw in his own picks. Among his picks was "Blade Runner".

The columnist wrote, “My heart would swell and burst if some intrepid director could bring Blade Runner to the stage.” He’s certainly passionate about his conviction with wanting this "science-fiction stage show".

And, I must say–personally–I think it would be an awesome endeavour. If done cleverly, it could very well be the next best thing. Of course, there will be those against such an idea, just as there are those against a re-make, sequel or prequel. But, this would be different.

I was fortunate enough to be involved in a project that came close to the idea of bringing Blade Runner to the stage. I wrote lyrics to the splendidly crafted music of Marco Spatuzzi. And it was performed live, along side the movie Blade Runner, in a production titled Blade Runner: The Rock Project.

Looking at some of the movies or television programs that have been adapted to musicals on Broadway might give you an idea of the possible success such a venture could have. Just to name a few; Little Shop of Horrors, The Producers and The Addams Family.

Is it the future of entertainment? For live entertainment, it certainly can be.


All the stage is an Off-world


In the BR-Rock Project, we presented a new way of viewing the neo-noir film Blade Runner. The idea was to translate, in music and in words, the over-industrialized; multi-ethnic; dehumanized; polluted environment; depiction of a dystopian future, with focus on the storyline, and the character's relationships and feelings.

The movie was projected on a screen accompanied with original music composed by Marco Spatuzzi, and performed by his group Memoria. It was rock oriented, but didn't neglect the ambiance of the cyberpunk film setting. The songs paired with the scenes, savoring every key element in the film. The music enhanced the vision, whilst the lyrics, written by C.A. Chicoine, reinforced the story.

In all, twenty-five songs (of which eight are instrumentals) were written for this production, spanning the entire length of the actual film. With some modifications, the musical numbers could be easily adapted to a Broadway-style musical.

To learn more about the project, and to listen to some of the songs, you may visit the website BladeRunnerRock for further information.

Bringing Blade Runner to the musical stage would not only deliver this epic story to a new audience, but it would also complement the Blade Runner franchise with class -- Broadway-style.


Samples from the set.



Merchants of Souls is performed during the scene where Deckard weaves through the crowds of people at Animoid row with what he believes is a fish scale.

This is the only song that does not describe the feelings or thoughts of one of the characters in the movie. This one paints the scene of Animoid row, a section of the city where merchants sell artificial animals.



Memoria ~ Looking Through the Eyes of a Child by BladeRunnerRock
Looking Through the Eyes of a Child is performed during the scene when Deckard brings Rachael back to his apartment after Deckards' encounter with Leon. At this point in the film, Rachael has come to terms with who she really is. The song is sung from her perspective.


My Mind Lies by BladeRunnerRock
My Mind Lies is performed at the end of the film. It is sung from the perspective of Deckard. He is expressing his feelings to Rachael.





Contact: CAChicoine@Satellite2Music.com